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JOSIE'S POEMS
Performance Poems
By Josie Whitehead
See also: Will You Dance a Little Faster

TRIPPING
THE LIGHT FANTASTIC
By Josie Whitehead
Are we ready?
Shoulders down and stomach in;
Push out chest and tuck in chin.
Turn out knees and also feet.
In leotards you sure look sweet! Hmmm!
OK, let’s start – (music starts)
Hold the barre, keep shoulders down.
The music starts, remove that frown.
The pliès exercise the knees,
But mind you tuck that tail in please.
Ooooh - Aaaah
You slowly rise and stand up straight.
It’s down again - you’re doing great.
It’s rise again and into third.
Perhaps I’m looking quite absurd.
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Oh, dear dear dear!!!
Point your toes and arch your feet.
Stand upright - keep in that seat.
Try a glissade – bend those knees
And gently glide your foot with ease.
Gasp!! Phew!!
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Move your arms to match your feet;
Curve your fingers, come, don’t cheat.
Move your shoulders as you glide
Then circle with your arms quite wide.
Drags herself to a chair –
loud p h e w!! Then thinks:
Ballet stretches limbs and mind,
It’s good for teamwork too I find.
But ballet for the eighties plus?
A stately waltz is much less fuss!
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Copyright on all my poems
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Note: Trip the light fantastic:
This phrase evolved over time. Its origin is attributed to John Milton's 1645 poem L'Allegro:
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Come, and trip it as ye go,
On the light fantastick toe.​
In Milton’s use the word 'trip' is to 'dance nimbly' and 'fantastic' suggests 'extremely fancy'. 'Light fantastic' refers to the word toe, and 'toe' refers to a dancer's footwork. 'Toe' has since disappeared from the idiom, which then becomes: 'trip the light fantastic' A few years before, in 1637, Milton had used the expression 'light fantastic' in reference to dancing in his masque Comus: 'Come, knit hands, and beat the ground,/In a light fantastic round.'
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For myself, 'tripping the light fantastic' refers to the energetic exercise we did in the years and years of ballet lessons/performances which I did from the age of 3 until I was 18, and then again when I was in my thirties. Josie
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